1554-1640
Italian
Jacopo da Empoli Location
Italian painter and draughtsman. He lived and worked in Florence all his life, and he followed Santi di Tito in the return to the clarity of the Florentine High Renaissance. He absorbed the ideas of his more innovative contemporaries and became one of the most popular painters of altarpieces for churches in Florence and Tuscany. He was also a distinguished still-life painter and received many commissions from private patrons, among them the Medici. Empoli painting is distinguished by simple, lucid forms, strong colour and direct and clear interpretation of the subject. Related Paintings of Jacopo da Empoli :. | The Sacrifice of Isaac | The Integrity of St. Eligius | Still Life with Game | susanna i badet | Kuchenstuck | Related Artists:
Marco Marziale Italian Painter, active ca.1492-1507,Italian painter. He was first recorded in 1492 as one of several assistants to Giovanni Bellini in the Doge's Palace in Venice; in an inscription on his earliest known work, a damaged Virgin and Child with Saints and a Donor (1495; Zadar, St Mary, Treasury), he called himself a pupil of Gentile Bellini. Visual confirmation of his close association with both Bellini brothers is provided by the rather large number of his signed and dated works, many of which are closely based on compositional motifs by Giovanni, but which in their linearity and angularity more closely resemble the style of Gentile. The influence of German art, and of Derer in particular, has often been noted in the sharply focused and densely packed details, the harsh modelling and the expressive ugliness found in much of Marziale's work.
Maurice PrendergastCanadian-born American Impressionist Painter, 1858-1924
American painter, printmaker, illustrator and designer of Canadian birth. He moved with his family to Boston in 1868 and was working as a commercial artist by 1886, lettering showcards, but his early attempts at watercolour foretold little of the talent that emerged after he travelled to Paris in January 1891. He studied for three years at the Atelier Colarossi under Gustave Courtois (1853-1923), and later at the Acad?mie Julian under Benjamin Constant, Joseph Blanc and Jean-Paul Laurens.
James Shannoncborn in the United States and moved to England in 1878 where he trained at South Kensington
1862-1923